Escoda Versatil Brush – Rigger, Long Handle Series 1549
- The Escoda Versatil synthetic Kolinsky brush is the modern-day alternative to natural Kolinsky. Utilizing a carefully selected custom blend of uniquely patterned synthetic fibers, these short-handled or long-handled brushes achieve everything artists expect from the finest natural hair brush.Available in a variety of shapes and sizes, the Versatil provides great water retention, a firm spring, and a sharp, fine point, plus enhanced durability and a more consistent shape over the life of the brush.Brush sizes - The length and width of a brush of a given shape and size may vary by manufacturer as brush sizes are not standardized. Since fine art brushes are handmade, expect some variation even among brushes from within a single brush line.
Escoda Versatil Brush – Pointed Round, Short Handle Series 1540
- The Escoda Versatil synthetic Kolinsky brush is the modern-day alternative to natural Kolinsky. Utilizing a carefully selected custom blend of uniquely patterned synthetic fibers, these short-handled or long-handled brushes achieve everything artists expect from the finest natural hair brush.Available in a variety of shapes and sizes, the Versatil provides great water retention, a firm spring, and a sharp, fine point, plus enhanced durability and a more consistent shape over the life of the brush.Brush sizes - The length and width of a brush of a given shape and size may vary by manufacturer as brush sizes are not standardized. Since fine art brushes are handmade, expect some variation even among brushes from within a single brush line.
Escoda Clasico Chungking White Bristle Brush – Bright, Long Handle Series 4628
Escoda Clásico Chungking White Bristle Brushes exemplify the craftsmanship of Escoda. The most traditional and perhaps most common hair for oil painters handcrafted into a professional tool without rival.
Every brush receives a special curing treatment to ensure that the brush tuft keeps its shape, increasing its spring and recovery. The Clásico Chungking White Bristle retains its original shape with heavy-bodied acrylic or oils.
Each Escoda Clásico brush features the finest Chungking White Bristle housed in a triple-crimped nickel ferrule attached to a long natural varnished wooden handle.
Escoda Clasico Chungking White Bristle Brush – Fan, Long Handle Series 5337
Escoda Clásico Chungking White Bristle Brushes exemplify the craftsmanship of Escoda. The most traditional and perhaps most common hair for oil painters handcrafted into a professional tool without rival.
Every brush receives a special curing treatment to ensure that the brush tuft keeps its shape, increasing its spring and recovery. The Clásico Chungking White Bristle retains its original shape with heavy-bodied acrylic or oils.
Each Escoda Clásico brush features the finest Chungking White Bristle housed in a triple-crimped nickel ferrule attached to a long natural varnished wooden handle.
Escoda Clasico Chungking White Bristle Brush – Filbert, Long Handle Series 4729
- Chungking White Hog Bristle / Hair; Highest Quality Chungking; Natural hardness perfect for more or less dense oils & acrylics
- Ideal for Oils and suitable for Acrylics, Stiffness: 6 on 6; Especially great for Heavy Body acrylics & oils
- Triple Crimped Ferrule, ensuring that it will remain in place for a lifetime of use
- Clasico Chungking White Bristle retains its original shape and handles wonderfully
- Handle: Long;Shape: Filbert; Size: 2, 4, 6, 10, 12, 14, 16, 18, 20.
Escoda Clasico Chungking White Bristle Brush – Round Pointed, Long Handle Series 5131
- Escoda Clásico Chungking White Bristle Brushes exemplify the craftsmanship of Escoda. The most traditional and perhaps most common hair for oil painters handcrafted into a professional tool without rival.Every brush receives a special curing treatment to ensure that the brush tuft keeps its shape, increasing its spring and recovery. The Clásico Chungking White Bristle retains its original shape with heavy-bodied acrylic or oils.Each Escoda Clásico brush features the finest Chungking White Bristle housed in a triple-crimped nickel ferrule attached to a long natural varnished wooden handle.Escoda Series 5131 White Bristle Mottler - The long white Chungking bristle is idea for varnishing and applying gesso. It offers the artist tremendous control in tighter areas with a remarkable edge. The 2360 has a natural varnished wooden paint brush style handle and a seamed nickel plated ferrule.
Escoda Primera Teijin Synthetic Brush – Round, Long Handle, Series 4175
Escoda Primera Teijin is a maroon-colored synthetic with thicker and stiffer fibers for work with heavier bodied paints. Primera Teijin is especially recommended for heavy body acrylics and water mixable oils, because the synthetic fibers will not absorb water and soften with use.
The Teijin fiber holds its shape extremely well with fantastic spring. Escoda specially cures each brush for increased resiliency and versatility, making it a pleasure to use. Although not as firm as most synthetic bristle, Teijin fibers are much stiffer than Escoda Tadami or synthetic sable.
The long black lacquered handle offers plenty of control on canvas and is secured to the nickel ferrule with Escoda's exclusive triple crimping process.
Escoda is unusual for offering most sizes of the Primera Teijin line in both a long- and short-handle format. The long-handle style is for easel style painting, while the short handle style is best for horizontal work, such as on a tabletop. Many artists use a combination of both long- and short-handle brushes, especially for acrylic media.
Brush sizes - The length and width of a brush of a given shape and size may vary by manufacturer as brush sizes are not standardized. Since fine art brushes are handmade, expect some variation even among brushes from within a single brush line.
Escoda Primera Teijin Synthetic Brush – Bright, Long Handle, Series 4150
Escoda Primera Teijin is a maroon-colored synthetic with thicker and stiffer fibers for work with heavier bodied paints. Primera Teijin is especially recommended for heavy body acrylics and water mixable oils, because the synthetic fibers will not absorb water and soften with use.
The Teijin fiber holds its shape extremely well with fantastic spring. Escoda specially cures each brush for increased resiliency and versatility, making it a pleasure to use. Although not as firm as most synthetic bristle, Teijin fibers are much stiffer than Escoda Tadami or synthetic sable.
The long black lacquered handle offers plenty of control on canvas and is secured to the nickel ferrule with Escoda's exclusive triple crimping process.
Escoda is unusual for offering most sizes of the Primera Teijin line in both a long- and short-handle format. The long-handle style is for easel style painting, while the short handle style is best for horizontal work, such as on a tabletop. Many artists use a combination of both long- and short-handle brushes, especially for acrylic media.
Brush sizes - The length and width of a brush of a given shape and size may vary by manufacturer as brush sizes are not standardized. Since fine art brushes are handmade, expect some variation even among brushes from within a single brush line.
Escoda Primera Teijin Synthetic Brush – Filbert, Long Handle, Series 4160
Escoda Primera Teijin is a maroon-colored synthetic with thicker and stiffer fibers for work with heavier bodied paints. Primera Teijin is especially recommended for heavy body acrylics and water mixable oils, because the synthetic fibers will not absorb water and soften with use.
The Teijin fiber holds its shape extremely well with fantastic spring. Escoda specially cures each brush for increased resiliency and versatility, making it a pleasure to use. Although not as firm as most synthetic bristle, Teijin fibers are much stiffer than Escoda Tadami or synthetic sable.
The long black lacquered handle offers plenty of control on canvas and is secured to the nickel ferrule with Escoda's exclusive triple crimping process.
Escoda is unusual for offering most sizes of the Primera Teijin line in both a long- and short-handle format. The long-handle style is for easel style painting, while the short handle style is best for horizontal work, such as on a tabletop. Many artists use a combination of both long- and short-handle brushes, especially for acrylic media.
Brush sizes - The length and width of a brush of a given shape and size may vary by manufacturer as brush sizes are not standardized. Since fine art brushes are handmade, expect some variation even among brushes from within a single brush line.
Escoda Perla Toray White Synthetic Brush – Round, Short Handle Series 1430
Escoda Primera Teijin is a maroon-colored synthetic with thicker and stiffer fibers for work with heavier bodied paints. Primera Teijin is especially recommended for heavy body acrylics and water mixable oils, because the synthetic fibers will not absorb water and soften with use.
The Teijin fiber holds its shape extremely well with fantastic spring. Escoda specially cures each brush for increased resiliency and versatility, making it a pleasure to use. Although not as firm as most synthetic bristle, Teijin fibers are much stiffer than Escoda Tadami or synthetic sable.
The long black lacquered handle offers plenty of control on canvas and is secured to the nickel ferrule with Escoda's exclusive triple crimping process.
Escoda is unusual for offering most sizes of the Primera Teijin line in both a long- and short-handle format. The long-handle style is for easel style painting, while the short handle style is best for horizontal work, such as on a tabletop. Many artists use a combination of both long- and short-handle brushes, especially for acrylic media.
Brush sizes - The length and width of a brush of a given shape and size may vary by manufacturer as brush sizes are not standardized. Since fine art brushes are handmade, expect some variation even among brushes from within a single brush line.
Escoda Perla Toray White Synthetic Brush – Dagger Stripper, Short Handle Series 1436
Escoda Perla with a flat, slanted or sword tip is a brush with a light, continuous, fine and fluid stroke, even when changing direction; under pressure it opens up, creating a wide, flat and oblique stroke. The alternation between pressure and lightness creates soft curves, very long, thin and harmonious lines, as well as sinuous, wide and thick strokes.
The series is ideal for precise techniques such as pinstriping, filleting and decoration; Escoda Perla with a flat slanted or sword tip combines three different diameters and three different lengths, thus achieving a perfect tip for organic shapes and wide gradients. White Toray is one of the softest fibres available and is mainly used for watercolour. Its ability to hold paint is sufficiently good. Flat slanted.
Nickel-plated brass ferrule
Escoda Perla Toray White Synthetic Brush – Bight, Short Handle Series 1432
The Escoda Perla Toray White is one of the finest quality synthetic fibers available for artists working with watercolours. The round brush combines three diameters and three different lengths, achieving a perfect tip. It has a capacity to retain a large amount of paint. It keeps an excellent point and edge for a soft, yet controlled application. For increased longevity, Escoda cures each brush to improve the spring and resilience of the fibers. The short, green lacquered wood handle is triple crimped to the nickel-plated brass ferrule. The nylon filaments vary in diameter to allow for a more natural appearance.
