LEGION YUPO® TRANSLUCENT
Calligraphy Palazzo Elite Art sketchbook 250 gsm, 12 sheets
The Palazzo Elite Art calligraphic block made in Russia has a very smooth and firm cream paper.
- Two sizes A5 and A4
- paper weight 250 g / m2
- extra smooth on both sides
- acid free
LEGION YUPO®Heavy.
White Nights Watercolor pad 100% cotton -300 GSM
Watercolor paper “White Nights” are of the highest quality with a perfect Album gluing.
Ideal for watercolors, as well as gouache and acrylics. Made from 100% cotton. Chlorine, acids and optical brighteners are not used in paper production, which guarantees long-term safety of finished works.
The dense back cover serves as a tablet and provides comfortable work with the album at home and in the open air.
Albums are presented in three formats A3 , A4 and A5.
Texture: coarse grain.
Saddle stitching: glued on the short side.
Number of sheets: 10.
Weight: 300 g / m²
100% cotton
Canson XL Bristol Pads Spiral
Canson XL Bristol Pads contain bright white drawing paper with an extra smooth surface. This paper is ideal for many painting and crafting techniques for both students and artists alike.
This environmentally friendly Bristol paper is made from bleached pulp and is 180gsm. It is very durable and is easy to cut and also easily eraseable. Canson XL Bristol drawing paper is perfect for pencil, ink, airbrush or other techniques that require a smooth surface and sharp lines. It is acid free, light and age resistant and offers high opacity.
Canson XL Bristol Pads are glued on the top edge and contain 50 sheets. They have reinforced cardboard backs.
Brustro Artists Wiro Bound Sketch Book 160 GSM Open Stock
- Black hard cover, wiro bound, perforated sketch book with 120 pages and ideal for pencil, chalk, graphite, crayon and ink
- Exceptional quality pencils at a budget-friendly price especially suitable for sketching and drawing
- Acid free smooth ivory 160 GSM sheets, for pencil, chalk, graphite, crayon, ink
- Size - A3, A4, A5 & A6
Mungyo Soft Pastel Colors Paper Pad 160 gsm Open Stock
PastelMat Pad 1-7 Open Stock
PASTELMAT NO. 1
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad contains 12 sheets in colours maize, buttercup, dark grey and light grey
PASTELMAT NO. 2
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad contains 12 sheets in colours white, sienna, brown, anthracite
PASTELMAT NO. 3
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad contains 12 sheets in white
PASTELMAT NO. 4
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad 12 sheets in colours Dark Blue, Light Blue, Burgundy, Sand
PASTELMAT NO. 5
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad 12 sheets in colours Dark Green, Light Green, Dark Blue, White
PASTELMAT NO. 6
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad 12 sheets in Anthracite
PASTELMAT NO. 7
Size of pad - 18 x 24 cm, 24 x 30 cm, 30 x 40 cm
Made from 360 gsm paper
The paper is suitable for all dry techniques, lead, sanguine, charcoal and more
The paper is also suitable for dry pastels
The pad 12 sheets in Beige, Sand, Sanguine, Dark Grey
Rembrandt Toned Mystical Blue, Toned Desert Brown, Toned industrial Grey 180gsm 50 sheets
Rembrandt Toned Mystical Blue
This paper provides the perfect base for your artwork. Contrasting colours, such as browns, reds, yellows and earthy tones, comes to life on this mystical blue paper. With blues, greens and bright colours, the paper colour will be an integral part of your work. This paper is of high quality, 180 grams made with 15% cotton and 20% recycled paper. It is suitable for use with pencils, soft pastels, gouache, inks, acrylics and charcoal.
Rembrandt Toned Desert Brown
The earth-coloured basis for your artwork. Light colours flourish against this earthy background, while dark and bright shades take on a new dimension against this base tone. Light colours will flourish, while dark and bright colours get a different appearance on this natural looking paper. This paper is of high quality, 180 grams made with 15% cotton and 20% recycled paper. It is suitable for use with pencils, soft pastels, gouache, inks, acrylics and charcoal.
Rembrandt Toned industrial Grey
This paper provides a cold concrete-coloured base on which you can take your artwork in an endless variety of directions. A large variety of colours pop off this grey paper. That means infinite possibilities! This paper is of high quality, 180 grams made with 15% cotton and 20% recycled paper. It is suitable for use with pencils, soft pastels, gouache, inks, acrylics and charcoal.
A4 (8.3" x 11.7").
A3 (11.7" x 16.5").
SAKURA Hardback Sketchbook Notebook 80 Sheets Black Paper 140g Black Cover
The Sakura Sketch – Note Book with black, acid free paper keeps all your ink, pencil, oil pastel or charcoal creations in one place. The exclusively illustrated sleeve can be used as a book mark. The hard cover book comes with a pen holder that perfectly fits pens such as the Pigma Micron and Sakura Gelly Roll. In the back of the Sketch Book an expandable envelope is included for storing sketches and notes. The elastic closure band ensures the book stays closed and compact when travelling. Sakura Sketch - Note Books are perfect for sketching and writing with Sakura products: Pigma Micron, Pigma Brush, Koi Coloring Brush Pen, Gelly Roll, Permapaque and the original Cray-Pas. They are available in creme white or black pages, in various sizes.
Saunders Waterford Watercolour Paper Pads (Cold Pressed) Open Stock
Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality paper-making material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.
Its attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments.
Available in White and High White, which may well be the whitest archival watercolour paper made.
Saunders Waterford is a top quality professional watercolour paper.
Saunders Waterford papers are also available in blocks of 300 g/m² (140lb) watercolor papers in HP – Hot Pressed, CP Cold Pressed or Not Hot Pressed (NOT) and Rough surfaces.
Each block is glued on all 4 edges, keeping the paper tight when you apply a wash. When using a block you do not need to go through the process of soaking and stretching the sheet as the block does this for you, and the paper dries flat. Blocks are excellent for painting on location. Once the finished painting is dry, you remove the sheet by carefully placing a blunt paper knife in the small unglued area in the spine, carefully sliding the knife around the block. Each block contains 20 sheets of 300g/m² Saunders Waterford paper.
Saunders Waterford Watercolour Paper Pads (Hot Pressed) Open Stock
Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality paper-making material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.
Its attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments.
Available in White and High White, which may well be the whitest archival watercolour paper made.
Saunders Waterford is a top quality professional watercolour paper.
Saunders Waterford papers are also available in blocks of 300 g/m² (140lb) watercolor papers in HP – Hot Pressed, CP Cold Pressed or Not Hot Pressed (NOT) and Rough surfaces.
Each block is glued on all 4 edges, keeping the paper tight when you apply a wash. When using a block you do not need to go through the process of soaking and stretching the sheet as the block does this for you, and the paper dries flat. Blocks are excellent for painting on location. Once the finished painting is dry, you remove the sheet by carefully placing a blunt paper knife in the small unglued area in the spine, carefully sliding the knife around the block. Each block contains 20 sheets of 300g/m² Saunders Waterford paper.
