Stonehenge White Pads Open Stock
Applications:
- Charcoal
- Colored Pencil
- Graphite Pencil
- Pastel
- Pen and Ink
- Printmaking
Specs:
- 250 gsm / 90lb
- 15 sht / pad
- 100% Cotton
- Made in USA
- Acid Free
- Neutral pH
Availble In:
- Sheets
- Pads
- Rolls
- Spiral Journals
| MFGR ITEM # | SIZE (in) | COLOR | WEIGHT |
| L21-STP250WH57 | 5x7 | White | 250 gsm / 90lb |
| L21-STP250WH88 | 8X8 | White | 250 gsm / 90lb |
| L21-STP250WH912 | 9X12 | White | 250 gsm / 90lb |
| L21-STP250WH1114 | 11x14 | White | 250 gsm / 90lb |
| L21-STP250WH1824 | 18x24 | White | 250 gsm / 90lb |
Stonehenge Light Pads Open Stock
Applications:
- Charcoal
- Colored Pencil
- Graphite Pencil
- Pastel
- Pen and Ink
- Printmaking
Specs:
- 135 gsm
- 30 sht / pad
- 100% Cotton
- Made in USA
- Acid Free
- Neutral pH
Available In:
- Sheets
- Pads
| MFGR ITEM # | SIZE (in) | COLOR | WEIGHT |
| L21-STP135WH912 | 9x12 | White | 135 gsm |
| L21-STP135WH1114 | 11x14 | White | 135 gsm |
STONEHENGE WARM WHITE PADS OPEN STOCK
Applications:
- Charcoal
- Colored Pencil
- Graphite Pencil
- Pastel
- Pen and Ink
- Printmaking
Specs:
- 250 gsm / 90lb
- 15 sht / pad
- 100% Cotton
- Made in USA
- Acid Free
- Neutral pH
Available In:
- Sheets
- Pads
- Rolls
| MFGR ITEM # | SIZE (in) | COLOR | WEIGHT |
| L21-STP250WW57 | 5x7 | Warm White | 250 gsm / 90lb |
| L21-STP250WW88 | 8x8 | Warm White | 250 gsm / 90lb |
| L21-STP250WW912 | 9x12 | Warm White | 250 gsm / 90lb |
| L21-STP250WW1114 | 11x14 | Warm White | 250 gsm / 90lb |
Sketching By Pratap Mulick
About the book
Portraits By Vasudeo Kamath
PORTFOLIO – LANDSCAPES Anant Kulkarni
About the book
My Paintings and Thoughts Behind Them by Vasudeo Kamath
About the book
Watercolour Paintings with Photo References by Milind Mulick
About the book
In this book renowned artist Milind Mulick explores and demonstrates watercolour painting using photographs.
Nowadays due to technological invasion... most artists are 'practically' using photographs as reference material. When a photograph is used as a reference point, it is important to pay attention to draw inspiration from it, not replicate it. This involves developing a preliminary thumbnail sketch to determine the composition and making artistic decisions to recreate 'that' moment.Watercolour by Milind Mulick
About the book
The Gallery by Grace Prakashan
About the book
Varanasi – An artist’s impression by Milind Mulick
About the book
Anatomy & Drawing by Victor Perard
About the book
How to Use Colours by Pundalik Vaze
About the book
Nowadays most children have sets of crayons, pastels, colour pencils, watercolours, poster colours and so on.
Each of these mediums is unique in its own right. Each has its strenghs and drawbacks. In this book ‘How to Use Colours’ Pundalik Vaze introduces you to all of these mediums - the differences between them, techniques of handling, their characteristics and also how to use two or more of them together – with the help of many examples.
Throughout the book, Vaze shares valuable tips and secrets that will definitely nurture your creative skills.
Figure Drawing Made Easy by Shankar Modgekar
About the book
Constructive figures of male and female, different positions & shapes. Study of shoulders & hips in different drapery, dress-folds, shades & light expressions, Foreshortening, action, eye-level study, partially covered figure. Colour plates, pencil & charcoal shading, etc. This is a very popular book all over India. Useful for all art students at every level of study. Recommended by Director of Art, Government of Maharashtra.
Portrait Techniques Made Easy by Grace Prakashan
About the book
Deenanath Dalal
About the book
Methods and Techniques – Opaque Colour
About the book
Milind Mulick’s mastery over watercolours is already well-known. His work and articles have appeared in reputed international publications devoted to art.
In this book he has revealed in simple terms, how to get the best out of opaque colours. His skill in making the subject easy to understand for beginners and students is also evident here.
The World of My Illustrations By Ravi Paranjapa
Perspective
About the book
Amply illustrated and written in an easy narrative style, Mulick demystifies the seemingly difficult subject and helps the art student to allay his anxieties about ‘getting it right’. In fact, few books have dared to venture into this territory and Mulick has successfully conveyed the concept, staying clear of complex definitions and methods; used traditionally.
Figure Study Made Easy
About the book
Master Artist Vasudeo Kamath
About the book
Master Artist Baburao Sadwelkar
About the book
Prof. Baburao Narayan Sadwelkar (BNS) is a renowned name in Indian Art World. Apart from his solid contribution to Indian Art, his own body of work is inspiring and varied.
This book represents a collection of landscapes done in the watercolour and opaque medium on the spot, mainly from his days in Kolhapur and his years in mumbai while at the Sir. J.J. School of Art.
One can witness a change and development in approach, handling of tools, experiments with medium and an influence of some Western painters. Apart from recording an aesthetic journey of the artist, landscapes that were done from various locations in Mumbai, The monumental buildings and their historic importance. This canvas, a variety of historic collection will open a new avenue to young painters of today's times. Over 200 landscapes painted sitting on the streets of Mumbai in the early 50s reflect the artist's response to reality – a dream of any artist today.
Canson XL Bristol Pads Spiral
Canson XL Bristol Pads contain bright white drawing paper with an extra smooth surface. This paper is ideal for many painting and crafting techniques for both students and artists alike.
This environmentally friendly Bristol paper is made from bleached pulp and is 180gsm. It is very durable and is easy to cut and also easily eraseable. Canson XL Bristol drawing paper is perfect for pencil, ink, airbrush or other techniques that require a smooth surface and sharp lines. It is acid free, light and age resistant and offers high opacity.
Canson XL Bristol Pads are glued on the top edge and contain 50 sheets. They have reinforced cardboard backs.
Rectangle Shape Lightweight Plastic Colour Mixing Palette In Two Sizes Open Stock
- Compartments: Water Color Palette Designed With 16 Color Compartments, 8 Mixing And 2 Water Storing Compartments. Totally 26 Compartments Meet Your Daily Requirement.
- Premium Material: Paint Pallete Made Of Molded Plastic Is Of High Quality, Sturdy, and Durable.
- Used for: Particularly Suited For the Watercolorist As Watercolor Paint Will Not Shift and Separate, Making It Easier To Mix Colors Evenly and Without Waste.
- Perfect Experience: Pure White Plastic Smooth Surface Makes It Easy To Cleaning And Mixing And Makes Colors Come Alive.
- Palette Is Made Of Durable, White, Lightweight Plastic, 100% Recycled Materials. Large Work Area.
- Size: 305x215mm Small Size and 330x228mm Big Size Rectangle Shape.
Wooden Paint Palette Rectangular
- Oil Painting Palette Wooden Color Square Professional Oil Acrylic Paint Drawing Palette Art Supplies
- With a thumb-hole which edges are slanted to prevent hurting fingers while holding it.
- The entire palette is oil coated, so the surface is very smooth with no sharp edges.
- Made of high grade material, which is sturdy and durable, can be in service for a long time.
- Old-fashioned, vintage style - a wooden palette.
- Size - 300x200mm
Foldable Rectangle Box Big Colour Mixing Palette
Rectangle Air Tight Colour Mixing Palette
- Contains: 1 Plate || Size: 288mm x 160mm Diameter Rectangle Shaped .
- 24 Colors compartments, 12 mixing and 6 Water Storing compartments.
- Pure White Plastic Smooth Surface Makes It Easy To Cleaning and Mixing and Makes Colors Come Alive.
- Particularly Suited For the Watercolourist As Watercolour Paint Will Not Shift And Separate, Making It Easier To Mix Colours Evenly And Without Waste.
- Use for Professional Artist Beginners and Art Enthusiast and Students.
Flower Shaped 14 Paint Wells Palette
FABER CASTELL Pitt Pastel Pencil, Tin of 12,24,36 & 60
The Pitt pastel pencils contain a high level of pigment, but are wax and oil free, and are perfectly suited for fine details in pastels. Just like the Polychromos pastel crayons they can be easily smudged to create fine colour transitions and perfectly complement the pastel crayons. Only minimal fixing is required, ensuring that the pastel drawings retain their vividness of colour.
Product details
- Artists pastel pencil
- High-quality acid-free pigments in bright colours, unsurpassed lightfastness
- Vibrant colour laydown
- Perfect for smudging
- Thick 4.3 mm lead
- Suitable for use with fixatives
- Tin of 12,24,36 & 60











