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White Nights Granulating Watercolour Full Pans – Individual 33 Shades
₹349.00
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 26 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Orange mist (206)
Rose mist (382)
Ruby mist (387)
Grey-violet (634)
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 33 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Orange mist (206)
Rose mist (382)
Ruby mist (387)
Grey-violet (634)
Green mist (762)
Spinel grey (838)
Sunset mist (635)
Sea mist (595)
Purple mist (398)
Cobalt titanat green (765)
Cobalt green deep (705)
Chormise iron green (838)
Additional information
Product Item
Aquamarine Mist (559) Full Pan 2.5ml, Aqumarine Mist (559) Full Pan 2.5ml, Blue Mist (558) Full Pan 2.5ml, Blue Shadows (556) Full Pan 2.5ml, Chromium Cobalt Mist (563) Full Pan 2.5ml, Cobalt Mist (560) Full Pan 2.5ml, Dark Blue Mist (555) Full Pan 2.5ml, Dark Blue Shadows (555) Full Pan 2.5ml, Green Shadow (760) Full Pan 2.5ml, Green Shadows (760) Full Pan 2.5ml, Grey Blue Mist (562) Full Pan 2.5ml, Grey Pink Mist (832) Full Pan 2.5ml, Hematite Mist (632) Full Pan 2.5ml, Lilac Mist (631) Full Pan 2.5ml, Sky Blue Mist (557) Full Pan 2.5ml, Sky Blue Shadows (557) Full Pan 2.5ml, Taiga Mist (761) Full Pan 2.5ml, Violet Shadows (629) Full Pan 2.5ml, Violet- Mist (630) Full Pan 2.5ml, Augite porphyrite (633) Full Pan 2.5ml, Chormise iron green (838) Full Pan 2.5ml, Chromium iron oxide (838) Full Pan 2.5ml, Cobalt green deep (705) Full Pan 2.5ml, Cobalt titanat green (765) Full Pan 2.5ml, Green mist (762) Full Pan 2.5ml, Grey-violet granite (634) Full Pan 2.5ml, Orange mist (388) Full Pan 2.5ml, Purple mist (398) Full Pan 2.5ml, Red brown hematite (386) Full Pan 2.5ml, Rose mist (382) Full Pan 2.5ml, Ruby mist (387) Full Pan 2.5ml, Scarlet mist (389) Full Pan 2.5ml, Sea mist (595) Full Pan 2.5ml, Spinel grey (837) Full Pan 2.5ml, Spinel grey (838) Full Pan 2.5ml, Sunset mist (635) Full Pan 2.5ml, Turquoise rose mist (561) Full Pan 2.5ml, Yellow tuff (268) Full Pan 2.5ml, Yellowish green mist (763) Full Pan 2.5ml
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All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 26 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Green mist (762)
Orange mist (388)
Rose mist (382)
Ruby mist (387)
Grey-violet granite (634)
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The set contains the following colours
The first acrylic colors offered by GOLDEN, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.
Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different.
12 Extra-fine Artists’ Professional Grade acrylic colors St.Petersburg MASTER CLASS in 18 ml tubes. Made in Russia.MASTER CLASS acrylic paints are produced especially for professional artists. High pigment capacity and minimum filler content help to preserve glitter, intensity and depth of a color after drying. Finely-balanced color base gives the paints rich texture and viscosity.
MASTER CLASS paints enable artists to express their creative ideas in painting, decoration and design. The paints are perfectly adhesive and can be applied on almost any surface: paper, cardboard, primed canvas, wood, leather or concrete. They are also great for NAIL ART modeling.
Various techniques may be used working with MASTER CLASS acrylic colors:
*Traditional easel painting, similar to oil and tempera techniques
*Monumental painting, especially church painting
*Watercolor technique (the paints may be diluted in water)
*Air brush painting (the paints should be diluted in water 50/50)
Drying time of the thin and medium layer on paper is one hour. When dry the paint generates a flexible and indelible film.
Colors included:
Titanium White
Lemon
Yellow Medium
Red Permanent
Carmine
Cobalt Blue
Ultramarine Light
Phthalocyanine Green
Raw Sienna
Olive Green
Burnt Umber
Mars Black
OPEN Acrylics are a slow-drying paint with a slightly softer consistency than our Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils. Thick applications can dry extremely slowly, so we recommend artists only use OPEN Colors thinly (< 1 mm). Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors. The slow-drying capability of OPEN Acrylics also makes the suitable for some printmaking techniques.
Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use.
Artists' oil colours «Ladoga» represent a balanced palette of hues for professional education and creative work. Important is that analogs correspond in tone to the original colours. Pigment part of earth colours consists of natural pigments that give saturation and intensity of a tone in contrast to synthetic colours.
Artists' oil colours sets 5x60 ml tubes, 9x60 ml tubes, 8x18 ml tubes, 12x18 ml tubes cardboard box
Master Class acrylic paints are made specifically for professional artists. The high pigment capacity and minimium fill content preserve the gloss, intensity and depth of colours during drying. These colours have a rich texture and viscosity and are perfectly suitable for traditional painting as well as
for design work and always guarantee a perfect result.
Master Class Acrylic Paint Gift Set includes acrylic glossy lacquer 120ml and brushes Nevskaya Palitra No. 4 (Flat) and No. 3 (Round) by 1 piece,Including colour tube : 101 titanium white, 214 lemon, 237 yellow permanent, 350 red permanent, 319 carmine, 508 cobalt blue, 703 phthalocyanine green, 727 olive green, 405 raw sienna, 408 burnt umbra, 800 Mars black or 801 Lamp black.
This Master Class Acrylic Paint Gift Set is a good idea to make an artist happy!
Rembrandt soft pastels are world renowned, professional-quality sticks that are manufactured with only the purest pigments and finest quality kaolin clay. They are made in The Netherlands under strict quality control standards. Each colour is made with unique pigmentation formulas. These round sticks have excellent softness for beautiful colour release and toning.
Ladoga acrylic paints were developed in accordance with the modern approach to art of painting and its tools. Acrylic paints consist of pigments and acrylic dispersion. Ladoga acrylic paints perfectly harmonise with modern lifestyle. They enable artists to express their creative mind, their ideas in painting, decoration and design. Ladoga acrylic paints are very easy to work with, they are perfectly adhesive. Acrylic paints is the universal material. It can be applied on almost any surface: paper, cardboard, primed canvas, wood, leather, concrete. Acrylic paints can be used in different techniques. They are traditional easel painting, which is similar to oil and tempera techniques; monumental painting, especially church painting. It is also possible to use acrylic paints in the watercolour technique (the acrylic paints should be diluted with water).
Artists' acrylic colours sets, 8x18 ml tubes, 12x18 ml tubes, 10x46 ml tubes cardboard box
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