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White Nights Granulating Watercolour Full Pans – Individual 33 Shades
₹349.00
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 26 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Orange mist (206)
Rose mist (382)
Ruby mist (387)
Grey-violet (634)
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 33 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Orange mist (206)
Rose mist (382)
Ruby mist (387)
Grey-violet (634)
Green mist (762)
Spinel grey (838)
Sunset mist (635)
Sea mist (595)
Purple mist (398)
Cobalt titanat green (765)
Cobalt green deep (705)
Chormise iron green (838)
Additional information
Product Item
Aquamarine Mist (559) Full Pan 2.5ml, Aqumarine Mist (559) Full Pan 2.5ml, Blue Mist (558) Full Pan 2.5ml, Blue Shadows (556) Full Pan 2.5ml, Chromium Cobalt Mist (563) Full Pan 2.5ml, Cobalt Mist (560) Full Pan 2.5ml, Dark Blue Mist (555) Full Pan 2.5ml, Dark Blue Shadows (555) Full Pan 2.5ml, Green Shadow (760) Full Pan 2.5ml, Green Shadows (760) Full Pan 2.5ml, Grey Blue Mist (562) Full Pan 2.5ml, Grey Pink Mist (832) Full Pan 2.5ml, Hematite Mist (632) Full Pan 2.5ml, Lilac Mist (631) Full Pan 2.5ml, Sky Blue Mist (557) Full Pan 2.5ml, Sky Blue Shadows (557) Full Pan 2.5ml, Taiga Mist (761) Full Pan 2.5ml, Violet Shadows (629) Full Pan 2.5ml, Violet- Mist (630) Full Pan 2.5ml, Augite porphyrite (633) Full Pan 2.5ml, Chormise iron green (838) Full Pan 2.5ml, Chromium iron oxide (838) Full Pan 2.5ml, Cobalt green deep (705) Full Pan 2.5ml, Cobalt titanat green (765) Full Pan 2.5ml, Green mist (762) Full Pan 2.5ml, Grey-violet granite (634) Full Pan 2.5ml, Orange mist (388) Full Pan 2.5ml, Purple mist (398) Full Pan 2.5ml, Red brown hematite (386) Full Pan 2.5ml, Rose mist (382) Full Pan 2.5ml, Ruby mist (387) Full Pan 2.5ml, Scarlet mist (389) Full Pan 2.5ml, Sea mist (595) Full Pan 2.5ml, Spinel grey (837) Full Pan 2.5ml, Spinel grey (838) Full Pan 2.5ml, Sunset mist (635) Full Pan 2.5ml, Turquoise rose mist (561) Full Pan 2.5ml, Yellow tuff (268) Full Pan 2.5ml, Yellowish green mist (763) Full Pan 2.5ml
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All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The 26 shades are as follows:
Aquamarine Mist (559)
Blue Mist (558)
Blue Shadows (556)
Chromium Cobalt Mist (563)
Cobalt Mist (560)
Dark Blue Shadows (555)
Green Shadows (760)
Grey Blue Mist (562)
Grey Pink Mist (832)
Hematite Mist (632)
Lilac Mist (631)
Sky Blue Shadows (557)
Taiga Mist (761)
Violet Shadows (629)
Violet- Mist (630)
Augite porphyrite (633)
Scarlet mist (389)
Turquoise rose mist (561)
Red brown hematite (386)
Yellowish green mist (763)
Yellow tuff (268)
Green mist (762)
Orange mist (388)
Rose mist (382)
Ruby mist (387)
Grey-violet granite (634)
All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating series significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.
The set contains the following colours
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Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different.
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Ladoga acrylic paints are very easy to work with, they are perfectly adhesive. Acrylic paints is the universal material.
It can be applied on almost any surface: paper, cardboard, primed canvas, wood, leather, concrete. Acrylic paints can be used in different techniques. They are traditional easel painting, which is similar to oil and tempera techniques monumental painting, especially church painting.
It is also possible to use acrylic paints in the watercolour technique (the acrylic paints should be diluted with water).
Colour shades: Green Light, Emerald Green, Green Medium, Lamp Black, Blue, Violet Deep, Phthalocyanine Green, Chrommium Oxide, Rose deep, Raw Sienna, Burnt Sienna, Burnt Umber, Raw Umber, Phthalocyanine Blue, Ceruleum Blue, Turquoise Blue, Ultarmarine Blue, Yellow Light, Lemon, Yellow Medium, Yellow Deep, English Red, Orange, Carmine, Red, Ochre Light, Zinc White, Titanium White
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Fully Intermixable and water soluble, they are ideal for line drawing, studio illustrations, visualizations, fashion drawing or interior and architectural work.
Artists' gouache colours ?Master-Class?
?Master-Class? artists? high-quality gouache colours are produced from finely ground pigments and gum-arabic based binder. These colours perfectly suit for artistic, decorative and graphic works. The colours have excellent spreading and water-mixing qualities and good covering power.They can be spread onto any flat surface, but the best materials for application are paper, cardboard and grounded canvas. The surface becomes matt and velvety upon drying; the colours are easily to wash off. The colour chart for paints sets is selected in accordance with methodological instructions adopted in artistic education. Available in sets of 12 colours in jars of 40 ml, 16 colours in jars of 20 ml, and in assortment of 40 ml jars (30 colours), 100 ml jars (30 colours), 220 ml jars (17 colours).
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